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Diego Velazquez
Philip III on Horseback (df01)
1634-1635
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Diego Velazquez
Queen Margarita on Horseback (df01)
164-1635
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Diego Velazquez
Prince Baltasar Carlos on Horseback (df01)
1634-1635
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Diego Velazquez
Deliverance of Genoa by the Second Marquis of Santa Cruz (df01)
1634-1635
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Diego Velazquez
The Recapture of Bahia (df01)
Juan Bautista Maino
1634-1635
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Diego Velazquez
The Surrender of Seville (df01)
Francisco de Zurbaran
1634
UK .coll His Grace The Duke of Westminster
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Diego Velazquez
Prince Baltasar Carlos with the Count-Duke of Olivares at the Royal Mewa (df01)
c 1636
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Diego Velazquez
A White Horse (df01)
c 1634-1635
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Diego Velazquez
Philip IV as a Hunter (df01)
c 1632-1633
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Diego Velazquez
Prince Baltasar Carlos as a Hunter (df01)
1635-1636
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Diego Velazquez
The Cardinal Infante Don Fernando as a Hunter (df01)
c 1632 -1633
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Diego Velazquez
Mars (detail) (df01)
c 1639-1641
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Diego Velazquez
Aesop (df01)
Jose de Ribera
1640 -1650
Madrid,Museo del Prado
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Diego Velazquez
Aesop (detail) (df01)
c 1639 -1641
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Diego Velazquez
Democritus (df01)
Peter paul Rubens
1603
Madrid,Museo del Prado
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Diego Velazquez
Menippus (detail) (df01)
1639-1641
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Diego Velazquez
The Buffoon Don Juan de Austria (df01)
1632-1633
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Diego Velazquez
The Buffoon Juan Calabazas (Calabacillas) (detail) (df01)
1637-1639
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Diego Velazquez
The Dwarf Francisco Lezcano (el Nino de Vallecas) (detail) (df01)
c 1643 x 1645
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Diego Velazquez
The Buffoon Pablo de Valladolid (df01)
c 1636-1637
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| Diego Velazquez
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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